Lead content at Saylor, Produce at Low Battery & beyond

Fresh leadership gigs in social, video, brand activations, and more.

Hey crew 👋🏼

I hope you all enjoyed some quality time with loved ones over the long weekend.

We’re back at work with fresh roles in social-first content, video leadership, brand activations, ad tech, studio ops, and AV production.

Lead content at Saylor. Shape hip-hop video at Low Battery. Activate Nat Geo’s next-gen experiences. Manage ads at Air Canada. Deliver festival AV at ICFF.

Need a location? Set Scouter can send you a free, curated list of film-friendly spaces.

Scroll, share, and hit reply if you want more of any of these vibes.👇🏼

Alex

Gigs we’re sharing

📝 Content Strategy & Storytelling

Saylor – Creative Director, Content (Los Angeles, Hybrid)
Lead the vision and execution of social-first content and stunts for entertainment giants like Netflix, Disney, and Hulu, guiding a team of ACDs and producers from brainstorm to delivery. This is perfect for agency veterans who live and breathe digital audience experiences, excel at pitches, and thrive on crafting viral, culture-driven campaigns. Hybrid LA role collaborating across Strategy, Social, Design, and Accounts to keep creative at the forefront.

🎬 Production Leadership & Creative Vision

Low Battery – Head of Video Production (Los Angeles, Remote)
Oversee all aspects of long-form video production for RapTV’s YouTube channel, leading a team of producers to craft high-impact hip-hop storytelling from concept through optimization. Ideal for agency or studio veterans who thrive on creative vision, data-driven growth strategies, and the autonomy of a fully remote role with occasional LA/NYC onsite shoots.

🎯 Music Campaigns & Partnerships

Low Battery – Campaign Manager, Music Partnerships (Los Angeles, Remote)
Drive end-to-end music partnership campaigns for top labels, agencies, and indie artists, shaping narrative and assets that pop on Instagram, TikTok, and social channels. Collaborate with the social team to execute strategic rollouts and provide clients with data-driven insights that elevate engagement. Perfect for agency-savvy creatives who thrive in an always-on music world—even nights and weekends.

📍 Field Activation & Brand Events

National Geographic Society – Marketing & Events Coordinator (Washington, DC, Hybrid)
Own the end-to-end coordination of marketing events and on-site activations, ensuring every detail reflects National Geographic’s iconic storytelling. This role suits creative pros from agency or production backgrounds who thrive on logistics and cross-team collaboration. It’s a Resident position with a flexible DC-based schedule, blending office days with hands-on event support.

📝 Content Strategy & Storytelling

National Geographic Society – Creative Content Specialist (Washington, Hybrid)
Shape the voice and narrative across email, social, web, and on-site channels for National Geographic’s new Base Camp programs, including the Museum of Exploration and immersive courtyard experiences. Collaborate with designers, marketers, and program leads to translate complex content into compelling multi-channel copy that drives audience engagement. Ideal for agency-savvy storytellers eager to influence campaigns for National Geographic Live, Traveling Exhibitions, and beyond.

📣 Marketing Ops & Ad Tech

Air Canada – Advertising Operations Manager, AC Media (Toronto, Onsite)
Manage end-to-end ad trafficking and quality control across Air Canada’s digital and ambient channels, from in-flight entertainment to web and app placements. Perfect for agency or production pros who thrive on wrangling ad tags, reporting metrics, and collaborating with sales and analytics. This is an onsite Toronto role driving campaign excellence across ACMedia.

📍 Festival AV & Technical Production

CFF – AV Producer (Canada, Onsite)
Supervise a small AV team to deliver seamless festival screenings, from lighting and camera setups to audio-visual operation and projection. Ideal for video pros with 1–2 years of production experience who thrive under pressure in fast-paced festival environments. A bit outside the usual Set Gigs mix, but a cool opportunity to dive into live event AV.

Have a project or opportunity to showcase? Send it over—I’d love to feature it.

See you next week,
Alex